The Incredibly True and Heartbreaking Tale of my First Hollywood Breakup, Chapter 5

Part A: Ta-Ta exotica

While the film budget for interesting, yet predictable, mainstream film is in the black due to housing the cast and crew in a quasi-luxury hotel and filming overseas, it is time to move the operation to the city of Lost Angels and start dropping some serious cash. Amaris is now the master of her domain in her editing suite situated on a well-known Hollywood production lot. Only she no longer has the aide of local islanders working for the illusion of a salary and a boost to their resume.

Part B: Welcome to Los Angeles, Population: 3 gazillion people and 6 gazillion cars

Amaris must hire two assistants and find a place to live temporarily, until post-production is complete. Moving the production to L.A. means no hotel and no per diem. But, no biggie. Amaris lived in L.A. prior to moving to Portland to be with me and had many connections there - she arranges to live in the guest rooms of several of her friends for one-week intervals and has a three-week span in which she is house-sitting for a friend who is out of town working on a film. Housing arrangements in place, she sets out to hire assistant editors to aide her in keeping her editing room in tip-top shape and all editing operations running smoothly and on schedule. After interviewing several candidates, she is frustrated that none of them meet her expectations. She needs to hire two assistants - stat - and has no prospective candidates.

Quelle horreur!

Part C: Blame Canada

After frenzied efforts and much networking, she is nearer a solution. She learns that her dear friend, A-J, who lives in Portland, is in L.A. on holiday. A-J was, at the time, a working artist/photographer and freelance events promoter. A-J also had experience as an assistant editor. Boom! He was hired. A-J began work immediately and Amaris continued to pursue some leads to obtain an additional assistant. Another editor friend of hers, Kurt, recommended an assistant he'd worked with recently on a film that had shown at the Sundance Film Festival. Her name was Hester and she was, in addition to highly recommended, available and experienced. She aspired to be an editor someday and was eager for this opportunity. Because Amaris was on the verge of falling behind schedule, Hester was hired immediately to help Amaris and A-J on this interesting, yet predictable, mainstream film.

Amaris was flying home to Portland on the weekends, but was spending long hours each weekday to stay on schedule preparing a preliminary cut for the director. Due to the extreme work load and long hours (totally common in the film industry), she and A-J and Hester took all three meals together. Suffice to say, tempers would occasionally flare - usually between A-J and Hester, who quickly grew to dislike one another.

Amaris would typically phone me in the evenings to catch up and ask about life in Portland. She seldom had much to report beyond the status of the film and its proximity to completion. She didn't really have time to go places and do fun things... it was pretty much all work, all the time. When she told me that A-J and Hester weren't getting along, I had to wonder about this Hester chick. EVERYONE gets along with A-J! He's charming, witty, fun to be around and brilliant. What's not to love? Besides, his Dutch accent was somehow simultaneously amusing and dreamy. I liked A-J and liked hanging out with him when he was in Portland. I asked Amaris about Hester.

Part D: Type-3 Cryabetes

"She's alright. She seems, on a personal level, a little emotionally immature and conflicted, but, professionally, I have no complaints - she knows her job and does it well."

"Conflicted?" I ask.

"Well, you know. She just doesn't seem to know what she wants and is sometimes mopey and sometimes really chipper. I'm not sure what to make of it. You're going to laugh at this, but I think she might be a dyke and not know it yet."

I laughed. It seemed like Amaris arrived at this conclusion frequently. "And what makes you think that? Is it the googly-eyed way she looks at you when she comes to you with a question?"

"No, it's nothing concrete that I've observed, just something I sense," she explained.

"Is she cute? Is she smart?" (I knew what Amaris was attracted to).

"She's okay, I guess." To me, this meant that she wasn't cute at all and that Amaris was probably being polite, most likely because she felt sorry for her for whatever reason. Amaris went on, "she's pretty smart, though, and knows a lot about music, which is kinda cool." Amaris worked in an indie record store when she was in high school. She knew a lot about all kinds of music and I learned a ton from her as a result.

"I don't have anything to worry about, do I?" I asked her, teasingly, having no idea whether or not this faceless emo gal might pose a threat.

"Not even," Amaris assured. "I'm totally happy with you and you know that. Besides, she's not even remotely my type."

We hung up the phone and I suddenly found myself very worried.